Writing TV is my favourite thing. Movies are great to practice structure and focussing on one theme, but they lack the time that allows for truly moving character arcs or world building. Video games are liberating to write, but the story always has to keep mechanics in mind and has to have an element of interactivity that stops every detail being perfect. TV though? TV is the best.
Every episode can have its own self-contained story, like a mini-movie, but combined with the others can tell an even grander story. Every character can start the series one way and become completely unrecognizable by the end of it. Every season can have new villains and threats or expand the world of the story further and further. I love writing TV.
I’m writing a TV show at the moment and it’s the most fun I’ve had in a while. The characters are all so distinct and interact so well. The plot’s central theme is one that is near and dear to my own heart, but lends itself to allegory enough to create a fun concept. And the episodic plots keep me guessing what happens next in my own freakin’ story!
It can be hard trying to make each episode have its own unique moral, or motif - sometimes you just gotta advance all the plots you got going on without trying to tie them all together under some profound parable. And sometimes you just wanna have an episode where things go boom and bullets go dudududududud. Action is a genre, don’t be afraid of it.
I feel like comparing my stuff to popular TV at the moment, every now and then. I look at shows and I’m like - ooh, clever dialogue - my characters just make puns. Or, wow those shots are so artsy and metaphorical - whilst my show’s tone isn’t really taking itself so seriously. Or the worst one is when you’re watching something with a thousand characters all with their own plot twist or a complex world full of rules and you’re sitting there like… my imagination could never.
But comparisons are dumb. Especially if you’re comparing to the wrong things. My story isn’t trying to be this tightly plotted mystery novel with red herrings and revelations. It’s not a sitcom designed to be sidesplittingly funnier than anything I could ever write. It’s most definitely not a fantasy story with 16,342 protagonists and a million locations. I know what my story is, and what it’s inspirations are - and when I look at those inspirations I see the truth: my story is just as good - and will be loved just as much.
To all my fellow writers out there, if you’re a fan of character arcs, dialogue-heavy scripts and exploring varying plots with your characters - try writing TV. I highly recommend.